Records, Exhibition negatives: installations. Attitudes. Brooklyn Museum Art School. 1970.

ArchivalResource

Records, Exhibition negatives: installations. Attitudes. Brooklyn Museum Art School. 1970.

Installation views of an exhibition held from 07/27/1970 to 10/01/1970 at the Brooklyn Museum.

11 b&w photonegatives 7 x 5"

Information

SNAC Resource ID: 6705137

Related Entities

There are 3 Entities related to this resource.

Brooklyn Museum. Dept. of Photography.

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The role of the Department of Photography at the Brooklyn Museum is to record accessions, furnish illustrative material for Museum publications, make photographs of objects and installations for use in publicity, research and permanent documentation, and to provide photographs for technical study. From the description of Records, Exhibition negatives: installations. Christmas Exhibition: Puligo's 'Sacra Famiglia'. 1965-1966. (Brooklyn Museum Libraries & Archives). WorldCat record...

Brooklyn Museum

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The origins of the Brooklyn Institute of Arts and Sciences extend back to 1823, with the founding of the Brooklyn Apprentices' Library. The Library, located at the corner of Cranberry and Henry Streets in the neighborhood of Brooklyn Heights, was established for the education and cultural enrichment of young tradesmen. In 1841, the Library relocated to the building of the Brooklyn Lyceum, an organization devoted to intellectual pursuits in the arts and sciences, at the corner of Washington and C...

Judd, Donald, 1928-1994

http://n2t.net/ark:/99166/w6nk3g3v (person)

Born Donald Clarence Judd on June 3, 1928 in Excelsior Springs, Missouri, he served in the United States Army from June 1946 until November 1947. Before he transitioned to work in three dimensions, Judd began as a painter and an art critic, having studied philosophy and art history at Columbia University and painting at the Art Students League. He developed his idea of the permanent installation of his work and collections first in New York, at 101 Spring Street, and later in Marfa, Texas. Throu...